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NAPOLEON DYNAMITE (PG) 1.00 (US 2004) dir.Jared Hess 90m. “Napoleon is a teenage boy so unattractive, so awkward,
so out-of-sync, so damn wrong that he ultimately endears himself
as an outlaw and fully-fledged hero. Napoleon does himself no favours.
He wears moon boots and bad T-shirts; he likes to sketch unicorns
and ‘ligers’ (an imagined hybrid of a lion and a tiger);
and he doesn’t know the first thing about friendship or romance.
His dysfunctional family is equally bad. It’s a cast of brilliant
caricatures. Admittedly, much of the humour is supremely silly.
But there’s a serious side too. The embarrassments of school
and teenage life are up there to squirm at in both shame and horror.”
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I HEART HUCKABEES (15) 1.30 Jason Schwartzman, Isabelle Huppert, Dustin Hoffman, Lily Tomlin, Jude Law, Mark Wahlberg, Naomi Watts. “Environmental activist Albert is so perplexed by a coincidence
that he hires an ‘existential detective’ team to discover
its underlying meaning. However, the intrusive ’tecs are more
interested in exploring Albert’s relationship with his nemesis
Brad, a PR man for retail chain Huckabees…” (US 2004) dir.Jared Hess 90m. Napoleon is a teenage boy so unattractive, so awkward, so out-of-sync,
so damn wrong that he ultimately endears himself as an outlaw and
fully-fledged hero. Napoleon does himself no favours. He wears moon
boots and bad T-shirts; he likes to sketch unicorns and ‘ligers’
(an imagined hybrid of a lion and a tiger); and he doesn’t
know the first thing about friendship or romance. His dysfunctional
family is equally bad. It’s a cast of brilliant caricatures.
Admittedly, much of the humour is supremely silly. But there’s
a serious side too. The embarrassments of school and teenage life
are up there to squirm at in both shame and horror.” |
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A VERY LONG ENGAGEMENT (15) 12.30 ((France 2004) dir.Jean-Pierre Jeunet. 133m. Subtitles. “Told that her sweetheart and fiancé (Gaspard Ulliel)
has been court-martialled and sent, with four others, to the certain
death of no-man's-land, orphaned dreamer Mathilde (Audrey Tautou)
refuses to give up hope he will return. So begins her odyssey through
the vile memories of World War I and across the pastures of rural
France, to discover the truth of his crime and punishment, driven
only by the power of her devotion. Jean-Pierre Jeunet courageously
rubs his light romance up against unflinching warfare — and
the jarring cuts from windswept pastoral visions, as gilded as a
Monet, to the deranged clutter of a killing field strike straight
at the heart. Inventive and lyrical, A VERY LONG ENGAGEMENT is a
joyous contradiction in terms: a war-torn romantic comedy.”
An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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NAPOLEON DYNAMITE (PG) 12.45 (US 2004) dir.Jared Hess 90m. An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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BRIDGET JONES: THE EDGE OF REASON (15) 1.00 (Br 2004) dir.Beeban Kidron 108m. “Once again, Zellweger is the titular Jones, a kvetching,
bumbling, weight-obsessed TV journalist; Firth is again Mark Darcy
and now also Jones’ handsome but rigid lawyer boyfriend; and
Grant is Daniel Cleaver, Jones’ smooth-talking colleague and
Firth’s more dapper, less scrupulous love rival. Whereas previously
Jones was eternally single, a boyfriend has now endowed the awkward
32-year-old with a different set of concerns. Not least, keeping
her man...” £5/£4 Concs |
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SYMPATHY FOR MR VENGEANCE (18) 1.00 (S Korea 2002) dir.Park Chan-wook 121m. Subtitles. “Ryu, a deaf and dumb steelworker, kidnaps his boss's daughter
in order to pay for a kidney operation for his beloved sister. Nothing
goes according to plan, and what ought to have been easy money soon
turns into blood money. That's just the start of this supremely
gritty hardboiled thriller set in Asia's underground world of illegal
organ transplants. Brutally nihilistic, this is one of the best
Korean films to have hit these shores in a very long time.”
(S Korea 2003) dir.Park Chan-wook 120m. Subtitles. “When he first meets business man Oh Dae-Sun, he’s
a drunken boor, though he’d doubtless sober up if he knew
what’s coming. Abducted by persons unknown, he’s held
prisoner for fifteen years, until he’s just as unexpectedly
released. Still none the wiser, he falls into a relationship with
a sushi-bar hostess, whereupon his captor contacts him by mobile
and offers a deal: if he can work out why he was kidnapped in the
first place, the villain will offer up his life -if not, the girl
cops it. Choi Min-sik is in the Pacino or De Niro class, running
the gamut from terrifying rage to abject degradation.” |
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BRIDGET JONES: THE EDGE OF REASON (15) 12.45 (Br 2004) dir.Beeban Kidron 108m. An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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A VERY LONG ENGAGEMENT (15) 12.00 ((France 2004) dir.Jean-Pierre Jeunet. 133m. Subtitles. An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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WALL (Mur) (12A) 3.30 (France/Israel 2004) dir.Simone Bitton 99m. Documentary. Subtitles “This stark, stunned documentary seeks out voices on both
sides of the under-construction Israeli security wall, a gerrymandering
hybrid of concrete, electronic fence and barbed wire - though only
old Sharon crony Amos Yaron waxes positive about it. Using long,
patient takes, Bitton is especially committed to recording the project’s
wanton degradation of the environement: droning, groaning bulldozers
gobble and vomit piles of earth, while cranes arrange concrete slabs
that block out the horizon, as well as glimmer of hope and reason.”
+ discussion £5/£3 Concs |
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Y TU MAMÁ TAMBIÉN (18) 1.30 (Mexico/US 2001) dir.Alfonso Cuarón. 106m. Subtitles. “Witty, vibrant, and intelligent, it's not hard to see why
audiences have loved the film. Combining elements of a road movie,
love triangle, and coming of age tale, the film follows Tenoch and
Julio, two teenage best friends from Mexico City whose girlfriends
have just gone travelling. Left at the peril of their hormones,
the boys lure beautiful Luisa, the discontented wife of Tenoch's
cousin, away on a trip to an imaginary beach. In the process they
discover things about themselves and each other that they least
expected.”
(US/Argentina/Chile/Peru 2004) dir.Walter Salles 126m. Subtitles. “Forget everything you thought you knew about the Ché
Guevara. Instead, this is the story of the two young Argentinian
students who spent seven months in 1952 travelling the length of
their continent as close friends and curious witnesses to chronic
inequality and artificial borders. This is a film about integrity,
honesty, friendship, citizenship, political awakening and how an
exceptional road journey sowed the seeds of the future experiences
of 23-year-old Ernesto ‘Ché‘ Guevara and 29-year-old
Alberto Granado. Salle’s camera is that of a documentary-maker;
it subtly captures the real people and places that the two encountered
along the way, while also presenting an intelligent witty and human
script.” |
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CLOSER (15) 1.00 (US 2004) dir.Mike Nichols 104m. "Sparky young Alice (Natalie Portman) meets the bookish journalist
Dan (Jude Law) when she's hit by a car on the streets of London.
Romance ensues, Dan blossoms into a confident and sexy author, and
he falls for the photographer Anna (Julia Roberts). She's just come
out of a bad marriage, and is just about to fall in love with a
doctor, Larry (Clive Owen). These four people crisscross each others'
lives, manipulating and being manipulated, loving and being loved.
Mike Nichols orchestrates it beautifully, shooting and editing impeccably,
demonstrating his expertise without resorting to showy filmmaking.
And he's also got Patrick Marber's almost too-clever words and a
terrific four-person cast." An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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LADIES IN LAVENDER (12A) (Br 2004) dir.Charles Dance 103m. “When Andrea, a handsome young Polish-Jewish violinist,
is washed ashore in a close-knit Cornish community in 1936, spinster
sisters Ursula and Janet Widdington (Judi Dench and Maggie Smith)
take him under their wing and the stage is set for jealous rivalries,
dark political paranoia and ultimately crushing heartbreak. There
is nothing like a Dame? Try two of them — acting each other
off the screen in Charles Dance's phenomenally acted, exquisitely
scored, and ultimately moving LADIES IN LAVENDER. Based on a short
story by William J Lock, the film conjures up a by-gone age and
its residents so perfectly you find yourself rooting for the most
unlikely of characters, their relationships and their all-too-human
foibles throughout. It’s an unusual kind of love story, and
one that acknowledges love is as cruel and horribly unfair as it
is kind and selfless. As the lovesick Ursula, Dench is a marvel
as the living embodiment of the Yeats' line, 'tread softly, because
you tread on her dreams'. Smith meanwhile — as laconic and
bitter-sweet as ever — provides her perfect foil, as their
protégé (Brühl) slips further away. The closing
shot is actually worth the admission price alone. LADIES IN LAVENDER
holds you in a gentle but compelling grip till the finish.”
NB. With a 15 minute interval £5/£4 Concessions/free admission for Over 60’s
(courtesy of funding support from the London Borough of Hackney's
Neighbourhood Renewal Fund and Cultural Forum) |
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2046 (12A) 1230 (Hong-Kong/China/Fr/It 2004) dir.Wong Kar Wai 129m. Subtitles. “Wong Kar Wai’s long awaited, sumptuous follow-up
to IN THE MOOD FOR LOVE makes for a rapturous cinematic experience.
It’s not just the stunning production design, exquisite camera-work
and superbly used music, which together give the film the febrile
intensity of a nineteenth-century opera. It’s also the subtlety
and complexity that distinguish Wong’s charting of the emotional
odyssey undergone by Chow Mo Wan (Tony Leung) as he goes through
a series of relationships with different but likewise lovely women:
a prostitute (Ziyi Zhang), a gambler (Gong Li), a cabaret singer
(Carina Lau), and his landlord’s daughter (Faye Wong). Wong
builds layer upon bittersweet layer of meaning in a work as cerebrally
rewarding as it is sensually seductive.” An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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A WAY OF LIFE (15) 1.15 (Br 2004) dir.Amma Asante 91m. “Struggling to bring up a sickly baby alone, Leigh-Anne
is growing increasingly fractious, hateful and paranoid as the snipings
of her neighbours and mother-in-law, in addition to the intrusions
of a health visitor, make her fear that her baby may be taken into
care. A thoroughly modern understanding of the mechanisms and effects
of poverty, prejudice, hopelessness and racism on young (and other)
lives.” £5/£4 Concs |
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LA HAINE (18) 1.45 (Fr 1995) dir.Mathieu Kassowitz 98m. Subtitles. “An Arab boy is critically wounded in hospital, gutshot,
and a police revolver has found its way in the hands of a young
Jewish skinhead, Vinz, who vows to even the score if his pal dies.
Vinz, Hubert and Saïd, razz each other about films, cartoons,
nothing in particular, but always the gun hovers them like a death
sentence. A vital, scalding piece of work.” (Br 2004) dir.Amma Asante 91m. “Struggling to bring up a sickly baby alone, Leigh-Anne
is growing increasingly fractious, hateful and paranoid as the snipings
of her neighbours and mother-in-law, in addition to the intrusions
of a health visitor, make her fear that her baby may be taken into
care. A thoroughly modern understanding of the mechanisms and effects
of poverty, prejudice, hopelessness and racism on young (and other)
lives.” |
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THE SEA INSIDE (PG) 10.15am (Spain 2004) dir.Alejandro Amenábar 126m. Subtitles. “Amenabar shifts gears drastically for this intensely moving
drama about a difficult subject: assisted suicide. Ramon Sampedro
(Javier Bardem) has spent the past 26 years as a quadriplegic. His
life isn't bad — he's cared for by his loving brother, sister-in-law,
nephew and father, plus a curious neighbour (Lola Dueñas).
But he's had enough of life, so he contacts the Die With Dignity
foundation, and a volunteer there (Clara Segura) takes his case.
His lawyer Julia (Belén Rueda) also suffers from a disability,
and the two develop a close bond as they challenge the court for
his right to choose death. What sounds rather gloomy is actually
a life-celebrating movie, focussing closely on the characters rather
than bogging down in the political or moral issue at hand. Ultimately
this is both delicately tender and overwhelmingly powerful.“ An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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 Sun 20 Feb • Fellini double bill
LA STRADA (PG) 1.45 (Italy 1954) dir.Federico Fellini 106m. Subtitles. “Circus strongman Zampano buys Gelsomina from her starving
family to act as his assistant. Moving away from the neo-realist
tradition that had originally inspired him, Fellini turns LA STRADA
into a magical story of life among the peasant circus performances
and gypsies of postwar Italy. Touching, funny, and completely enchanting.” (Italy 1953) dir.Federico Fellini 107m. Re-release. Subtitles. “In a provincial seaside resort, a group of twentysomething
bourgeois slackers are putting off the day when they might have
to leave home. Fellini’s somehow inside and outside these
characters at the same time, touchingly accepting their human failings,
yet unflinchingly adamant they’re only fooling themselves.
Arguably Fellini’s greatest.” |
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THE SEA INSIDE (PG) 12.15 (Spain 2004) dir.Alejandro Amenábar 126m. Subtitles. An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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THE SEA INSIDE (PG) 12.15 (Spain 2004) dir.Alejandro Amenábar 126m. Subtitles. An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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GARDEN STATE (15) 1.15 (US 2003) dir.Zach Braff 102m. “As well as making an assured directorial debut, Zach Braff
wrote and stars in this tale of a jobbing Hollywood actor rudely
awakened from a lithium haze to attend his mother's funeral in
New Jersey. While it may sound like a depressing anti-drugs video,
in Braff's hands it's a witty, wacky, and wonderful trip through
the minefield of being twenty-something.” £5/£4 Concs |
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ENDURING LOVE (15) 1.45 (Br 2004) dir.Roger Mitchell 100m. “On a summer’s day, Joe and Claire are sitting in
a field, a marriage proposal on the tip of Joe’s tongue.
Then, from the heavens, there glides a struggling hot air balloon
that will disrupt their easy lives for months to come. It’s
superbly well-crafted, and the script, especially, is a joy. (US 2003) dir.Zach Braff 102m. “As well as making an assured directorial debut, Zach Braff
wrote and stars in this tale of a jobbing Hollywood actor rudely
awakened from a lithium haze to attend his mother's funeral in
New Jersey. While it may sound like a depressing anti-drugs video,
in Braff's hands it's a witty, wacky, and wonderful trip through
the minefield of being twenty-something.” |
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ENDURING LOVE (15) 1.00 (Br 2004) dir.Roger Mitchell 100m. An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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GARDEN STATE (15) 12.45 (US 2003) dir.Zach Braff 102m. An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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SEVEN BRIDES FOR SEVEN BROTHERS (U) 1.15 (USA 1954) dir.Stanley Donen 102 m. The great backwoods 'n' gingham musical was 30-year-old Donen's seventh film as director. Features unsurpassed choreography by Michael Kidd and a perfect marriage of music and lyrics by Johnny Mercer and Gene de Paul - 'Lonesome Polecat' must rate as Hollywood's funniest ever sob-song. "The fresh high-spirited humour of the plotting is irresistible; each and every tune is a charmer; and the dancing - particularly the barn-raising sequence — still stands beyond compare." Judith Crist £5/£4 Concs & Under 15’s |
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THE NIGHTS OF CABIRIA (Le Notte di Cabiria) (PG) 1.15 (It/Fr 1957) dir.Federico Fellini 118m. Subtitles. “Fellini's masterpiece is an energetic, deeply moving examination
of the need for love and acceptance. And it features quite possibly
the greatest performance ever from the greatest actor ever: Giulietta
Masina. She stars as Cabiria, a prostitute in Rome who doesn't
let the realities of life interfere with her optimism. Astounding
and essential.” (It/Fr 1973) dir.Federico Fellini 123m. Re-release. Subtitles. “A whimsical 1973 reanimation of Fellini’s home-town
during the fascist 30s. The film revolves around an awkward adolescent
boy variously ensnared and confused by his fractious family life,
his Catholic prangs, and, of course, his gnawing appetite for flesh-rich
women.” |
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KINSEY (15) 12.45 (US 2004) dir.Bill Condon 118m. “A deftly handled mixture of personal drama and social history,
Kinsey sculpts a compelling film from the life of the pioneering
scientist who devoted himself to the study of human sexuality.
Beautifully judged and paced, it is both intellectually stimulating
and emotionally satisfying.” An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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SEVEN BRIDES FOR SEVEN BROTHERS (U) 2.30 (USA 1954) dir.Stanley Donen 102 m. The great backwoods 'n' gingham musical was 30-year-old Donen's seventh film as director. Features unsurpassed choreography by Michael Kidd and a perfect marriage of music and lyrics by Johnny Mercer and Gene de Paul - 'Lonesome Polecat' must rate as Hollywood's funniest ever sob-song. "The fresh high-spirited humour of the plotting is irresistible; each and every tune is a charmer; and the dancing - particularly the barn-raising sequence — still stands beyond compare." Judith Crist NB. With a 15 minute interval £5/£4 Concessions/free admission for Over 60’s
(courtesy of funding support from the London Borough of Hackney's
Neighbourhood Renewal Fund and Cultural Forum) |
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KINSEY (15) 12.45 (US 2004) dir.Bill Condon 118m. “A deftly handled mixture of personal drama and social history,
Kinsey sculpts a compelling film from the life of the pioneering
scientist who devoted himself to the study of human sexuality.
Beautifully judged and paced, it is both intellectually stimulating
and emotionally satisfying.” An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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The Centre of Attention presents Artists’ Film & Video (15) 1.15 Since 1999, the Centre of Attention gallery has been showing in a variety of spaces throughout London, Europe and the U.S. This unique gallery is returning to its roots in East London for this one-off screening of artists’ films and videos. Curated by Gary O'Dwyer and Pierre Coinde from an open submission, the selection will give you the chance to familiarise yourself with the best in contemporary artistic practice. Both local and global, these works challenge aesthetic complacency whilst also delineating humanity's flight from reality. To submit work or for more details go to www.thecentreofattention.org To predict the future you must change the past.’ Adm £1 |
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HUKKLE (12A) 2.15 (Hungary 2002) dir.György Pálfi 78m. Subtitles. “Using images and sound effects rather than conventional
dialogue, this Hungarian outing takes us on an oddball journey
through the life of a rural village and the investigations of a
local cop. HUKKLE builds into a curious blend of pastoral nature
movie and murder mystery in which everything exists to be eaten.
Comic and surreal. (Belgium 2004) dirs.Gustave Kervern & Benoît Délépine
93m. Subtitles. “Kervern and Délépine’s deadpan chronicle
of this largely wordless wheelchair odyssey is essentially a string
of priceless sight-gags hung on to the sturdy premise of the steel-jawed
protagonists’ entirely undisguised dislike of each other
and, probably, the rest of the world. Lovely.”
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THE LIFE AQUATIC WITH STEVE ZISSOU (15) (US 2004) dir.Wes Anderson 119m. "Only The Beatles' YELLOW SUBMARINE (1968) equals THE LIFE AQUATIC WITH
STEVE ZISSOU for brilliant, psychedelic surrealism. Bill Murray lends a sobering
edge to Wes Anderson's vividly imagined tale of a washed-up oceanographer hunting
a mythical shark while struggling to make a human connection with his long-lost
son Ned (Owen Wilson). It's impossible to avoid getting swept up in the romance
and sheer whimsy of it all." An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4
Concessions |
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THE LIFE AQUATIC WITH STEVE ZISSOU (15) (US 2004) dir.Wes Anderson 119m. An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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5th Constellation Change Screen Dance Festival presents DANCE, CAMERA, ACTION 1 (PG) 2.30 An exciting programme of emerging new talent and award winning shorts including:
Distemper (Can) 5m. + THE FRESHEST KIDS – A HISTORY OF THE B-BOY (12A) 4.15 (US 2002) dir.Israel 97m. Crazy Legs, Ken Swift, New York City Breakers, Rock Steady Crew, Fab 5 Freddy, KRS-One, Afrika Bambatta, Q-Tip, DMC, and Rakim. UK premiere of the first documentary to explore the mostly unknown history of hip hop’s first dance and its early pioneers. Known by many names; Breaking, Rocking, Burning, Going Off, B-Boying & Break Dancing, the style was born at DJ Kool Herc's South Bronx house parties in the early 70s, catapulted to worldwide fame in the 80s, and evolved through the 90s into its latest gravity-defying incarnation as a thriving underground movement. For the first time ever, legendary B-Boy pioneers such as Crazy Legs and Ken Swift bring their stories to you. From how the dance originated to how it has evolved through its 25+ year history, The Freshest Kids will leave you entertained, educated, and inspired. £7/£5.50 Concs & Under 15’s |
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AFTERLIFE (PG) 1.30 (Japan 1998) dir.Hirokazu Kore-Eda 118m. Subtitles. “Kore-Eda’s second feature is set in a limbo that
looks like a slightly shabby school, where counsellors help new
arrivals choose their most precious memory which is then recreated
onto a film to accompany them to eternity. The movie is about how
we look back and make sense of our lives.” (Japan 2004) dir.Hirokazu Kore-Eda 141m. Subtitles. “When Keiko checks into a new Tokyo apartment, she introduces
the landlord to 12-year-old Akira. If he knew she had three more
kids hidden away in her luggage he’d never have let the place
to her. One day, soon after telling Akira she’s fallen in
love, she’s gone. But for how long?” |
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5x2 (Cinq fois Deux) (15) 1.00 (France 2004) dir.François Ozon 91m. Subtitles. “The film gives us five glimpses of two people — married couple Marion and Gilles, first seen uneasily sitting down for divorce proceedings. We see the couple's story backwards — from its unhappy ending, through an uneasy dinner party, childbirth and their wedding, to the moment the couple meet. Rather than being playful or perplexing, the reverse structure works to subtly devastating effect, unfolding the couple's dissatisfactions and tensions, then taking us back to discover their sources in rifts or in seemingly innocent moments that seed the eventual separation. Intellectually trenchant and emotionally brutal, the film is also a feast of outstanding acting. A film guaranteed to leave couples thinking 'There but for the grace of God.'” (Jonathan Romney, London Film Festival programme) An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
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5x2 (Cinq fois Deux) (15) 2.00 (France 2004) dir.François Ozon 91m. Subtitles. An opportunity for parents with babies to visit the cinema without having to find a baby sitter or worry about their babies causing disturbance. A secure space is provided for pushchairs. Adm £5/£4 Concessions |
+
OLDBOY (18) 3.20
Hackney
Palestine Solidarity Campaign presents
Sat 12 Feb • Matinee
+ 
+ 
Sun 13 Mar • Double bill
Thur 17 Mar • Parents & Babies Club
Thur 24 Mar • Parents & Babies Club
107
Kingsland High Street E8
(corner John Campbell Road)
Tel 020 7241 9410
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